An Introduction

I first became interested in 4AD, a UK independent record label founded in 1980, towards the end of the '80's. I was falling in love with the music of Dead Can Dance, Clan of Xymox, Pixies, Bauhaus and The Birthday Party and was surprised when the 4AD label sampler "Lonely Is An Eyesore" came out in 1987 that all these bands were from the same label.

After visiting a Pre-Raphaelite exhibition of some American's collection of art, I came to thinking of all this musical art that 4AD have released that may one day drift into obscurity unless someone shows it as art. So now I'm on a crusade, to collect the first ten years of 4AD's releases and exhibit the collection on 4AD's 50th anniversary in 2030. This is a big task which will have some interesting twists and turns along the way.

Wednesday, 16 October 2013

Here we are again, happy as can be

Ah, hello again. Once again it's just been too long since my last post. As always no real excuses except for having way too many things that I have given myself to do. For those of you that may not have followed all my blogs, apart from giving myself this nigh on impossible mission of collecting every 4ad licensed release from the first ten years, I have always had a habit of picking up other projects as well. Like writing a book. I decided this time last year to write my own biography as I've had an interesting life to say the least. Well, a year on and a couple of hundred thousand words later and I'm still writing it and wanting to just get the thing finished.

As I mentioned in my last post, the greatly anticipated book by Martin Aston has now been published. It's called Facing the Other Way and covers the story of 4AD. As I've ordered the limited edition and the production of that version is a little behind, I still haven't got my hands on it yet and I'm going nuts with anticipation for the chance to read it, but it won't be long now.

The reviews over the last few weeks have been interesting and eye opening. So I've collected a few for you to have a look at if interested :

Timeout
The Writing Disorder
Drowned In Sound
The Guardian
The Mouth Magazine
Clash Music

I just hope that something else follows on the back of this book as it has done with the other well known 80's indie labels, such as a documentary or film. That kind of overview of the 4AD is well overdue in my opinion when the other labels have already had their fair share of documented history of late.

I have been in touch with Martin Aston over the last year and I recently submitted some questions to him for an interview for this blog. Martin is a very busy chap at the moment with the publicity for his book, but I hope I can bring you the interview soon.

I also recently came across a wonderful youtube blog that is wonderfully geeky, honest and yet fun and great to watch. The guy is called Bret Helm and he reviews music that he likes and listens to and does a few 4AD reviews as well as a review of Martin Aston's book. The channel can be found here and is well worth a look through. He has inspired me to try and have a go at doing a video blog myself. This turned out to not be any easy thing to do. Usually I can talk the hind legs off a donkey, but suddenly put me in front of a camera and I can hardly speak and I keep tripping over my own worms, sorry words, see what I mean? Maybe with a bit of practice and perhaps getting over the nerves I may post something, who knows.

I've had quite a few new additions to the collection and hope to get those shown soon as this very blog, you lucky people. I may also have something nice to give away again soon, so please keep reading and feel free to leave comments

Thursday, 1 August 2013

What colour is a lazy streak?

So what is happening of late. Well I went through a spate for a short time of finding lots of collection pieces on Ebay for a very reasonable price. For two weeks I was struggling to keep up with the flow of reasonable priced items on offer, and then with a bump just stopped. This wasn't from a single source but from all over the place, from the UK, from Europe and even from the US with a decent postage amount. Why the sudden peak of items and then hardly anything again, I have no idea.

Needless to say that my usual roller-coaster ride of interest and then general annoyance with myself and this stupid idea of doing this collection has made it's usual route of peaks and troughs. At the moment I'm in-between moods. Trying to persuade myself what a wonderful thing it is to collect such wonderful music and respect such great artists and then thinking that perhaps I should be slapping myself around the back of the head with a very large wet haddock for taking such a journey on in the first place.

I'm generally a lazy person. Being lazy and sitting on my fat arse is the major default setting for me. After being at work all day, the ONLY thing I want to do when I get home is sit in a nice comfy chair. Perhaps I may be persuaded to switch the TV on, maybe I will browse the interweb, but mostly it's pastimes that involve sitting. I reckon my brain also has the same desire. My brain also goes to work all day and wants to just go home and relax in a bowl of comfy warm mush. Even while writing this, my brain has had enough of working for the day and wants to just do as little as possible. That's not actually easy for me, I have a brain that never shuts up or winds down, I'm mentally on the go all the time, so my brain also nags me to just slow down a little by doing as little as possible. This of course includes doing this blog, or updating facebook, or joining in on a forum I'm a member of and, of course, all the other things I want to do generally in my life, such as sending an email to a friend and just staying in touch.



So now that I've put myself through a bought of flagellation and got my brain in gear (but still with fat arse firmly planted on sofa leather), what have I accomplished or found out since I last posted so very long ago. Well in the news......is the soon to be released 4AD book by journalist Martin Aston. Called "Facing the Other Way, the Story of 4AD". Set to be released on September 26th 2013, it will be the first official account of the label we love. Focusing on mostly the first 20 years of 4AD's history, it has the prestigious boast of having the cover designed by Vaughan Oliver and will also be available as a limited edition with 2 CD's of some of the labels musical history. Info here : 

As a warning to all those looking to try and pre-order the the book, be aware that Amazon do not have copies of the limited edition on order to sell to pre-orders made on Amazon. Amazon may get some copies if the publishers don't sell all the limited editions and have some left to pass on. I fell into this trap with Amazon before when they list something they may likely never get their hands on......so buyers beware.

On a slightly different note, I've started to notice a pattern of reprints of cassettes. I say reprints because they are not official re-releases, but an obvious sign that the originally made stock has run out and new batches of cassettes manufactured. Cassettes are really easy to spot because of the change in cassette design during the eighties. In the early eighties, cassettes were solid colour plastic, usually white or black, occasionally other funky colours to match the general colour of the album design but the coloured ones are much more rare. By the mid eighties though, a new fashion for seeing the workings of a mechanical object became desirable, the watch makers Swatch being one of the trendier items that everyone wanted which showed the gears and workings of the watch behind garish cheap clear plastic.


Cassette manufacturers such as TDK followed this fashion through, showing the tape wound up on the spools through clear plastic. Pretty soon, you couldn't get a cassette tape that wasn't trendy and see through and I suspect that 4AD had the same issue when ordering new stock. So there are distinct and obvious signs of a reprint of early eighties releases on cassette. This Mortal coil and Cocteau Twins albums are the first that I've noticed and I'm sure there will be more to be found.

So if you are interested in getting original cassettes for early eighties albums, stick to the solid colour plastics and not the clear.