An Introduction

I first became interested in 4AD, a UK independent record label founded in 1980, towards the end of the '80's. I was falling in love with the music of Dead Can Dance, Clan of Xymox, Pixies, Bauhaus and The Birthday Party and was surprised when the 4AD label sampler "Lonely Is An Eyesore" came out in 1987 that all these bands were from the same label.

After visiting a Pre-Raphaelite exhibition of some American's collection of art, I came to thinking of all this musical art that 4AD have released that may one day drift into obscurity unless someone shows it as art. So now I'm on a crusade, to collect the first ten years of 4AD's releases and exhibit the collection on 4AD's 50th anniversary in 2030. This is a big task which will have some interesting twists and turns along the way.

Monday, 11 July 2011

Majestic Art Or A Mug?

I met a work colleague last week who, I discovered after an interesting afternoons chat, did Graphic Design at University where Vaughan Oliver lectured.  Vaughan Oliver was the mastermind behind V23 and the design and identity of 4AD.

I have a love/hate relationship with graphic design.  I personally think that in the modern era it has helped to blur the lines between art and commerce to the point that we are all confused as to where the line exists.  Please allow me to explain.

4AD – or Vaughan Oliver, Nigel Grierson and V23, have done some incredible and beautiful designs.  One of this weeks purchases has been the Cocteau Twins CD single “Love’s Easy Tears” on Relativity from the US
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Beautiful artwork that reflects the music really well.  Could it be argued that it isn’t art though?  To some maybe.

I have a problem defining the difference between art and manufacturing.  Ok, two extremes would be the ceiling of the Sistine chapel and a bolt.  But take for instance pottery, my greatest bug.  A mug created at a factory would not be considered a piece of art.  Stick a transfer on the side, is it then a piece of art?  Probably not.  What if the same picture was hand painted?  I still don’t think this is art, but some argue that it is.  What if the mug had two handles on it?  Now many would argue this is art, I still think it’s a mug and it holds tea.

I personally believe that record covers are an art form, some more than others.  4AD were always expressive with their covers, which along with the music, makes collecting them all the more enjoyable.

Whether this expression of art in graphic design holds true for a chair is one where I get a little lost.  Although functionality can be boring it can be alleviated by good design and good design can also help move units, I struggle to see art in the attempt to shift volume.  Maybe the same could be said for 4AD record covers, really they were designed for shifting units weren’t they?  I would like to think not.  I would like to think Vaughan Oliver, Nigel Grierson and V23 had fun messing about, experimenting and expressing themselves and the commercial success was more a lucky bi-product than a primary intention.

Maybe one day I’ll find out……….

Some of this week’s additions

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